In this way, a new story begins, where a group of young students who are unable to face up to reality, goes ahead with their great run away from reality. What awaits them are police detectives, teachers who begin to pursue their location and the revenge plot from the delinquents. Furthermore, they have demands which they can’t put to bear, parting with friends, and saying goodbye to their best friends. On top of that, they feel a sense of guilt too! This is a suspense drama which depicts these kinds of students who are forced to escape in a desperate situation for their survival.

The name ‘Cecile,’ in the title comes from the French novelist Françoise Sagan’s book ‘Bonjour tristesse,’ in which ‘Cecile’ is the main character. In the book, she has a very pretty appearance, yet has a terrifying plot in her mind. Therefore, the name Cecile may be linked to things like a woman’s anxiety and other areas of emotion and mind games. In the drama, many kinds of women, such as sports personalities and beauticians will make a special appearance to depict the different life styles of women.

The main character in the drama is Miyaji Nao (Maki Yoko), who is a very modest woman, spends her days as a housewife and lives with her husband and junior high school son. Even though her lifestyle is not luxurious, small things in her everyday life makes her happy. Like going out to the local grocers to buy her son’s dinner ingredients.

One day, Nao gets contacted by a famous fashion magazine ‘Vanity,’ asking her if she’s interested in becoming one of their models. Since this day, she makes her way into an industry which she has no clue about. A fashion industry which mainly focuses on the outer appearance is something that she isn’t fond of. However, after working with writers and models, her negative image gradually transforms into something more positive, and her sense of values begin to change.

Things like jealousy, pride and relationship rivalry are some of the things that most women feel affected by. How will Nao survive inside a world of ‘Cecile.’
Also, when we talk about fashion magazine models, it’s more directed towards the readers, and is completely different from professional modelling. How Nao will gradually open herself up in this new world is also something to watch out for in the drama

After moving to their new house, they hold a house warming party in the garden.
Kinuka’s ex-boyfriend, Seno Itsuki (Imai Tsubasa), suddenly appears out of the blue at the party and he asks her to shelter him because he had been chased by a bill collector, for unpaid loan payments. But, how does someone who she broke up with 18 years ago, know her new address. As he is someone who she could not easily introduce to her family, she tries to send him away. In the meantime he somehow disappears. Where couldhe be!?

From that night onwards, strange things start happening around the house. Like, the food stock in the fridge frequently starts disappearing and things also disappear from the freezer. As well this, clothes from the laundry machine just gets lost!?

And, on the day of her birthday, she hears someone playing the violin from the attic. When she tracks down the sound, she finds Seno playing it. From this moment onwards, Itsuki begins to observe the Saijo family’s true status and discovers the hidden sides of the family.

For example, her 15 years old son is being bullied. And her 17 years old daughter is experiencing trouble with her boyfriend. Also, her promising husband who is working for the stock company is really a good father? And, why did her mother-in-law ask them to live together? Finally, her best friend also has a big secret!? Furthermore, she is under a huge strain of emotional pressure. And her feelings towards Itsuki starts to shake? What is the reason behind Itsuki living in the attic? And how will Kinuka deal with a family on the verge of utter chaos. Everything will be revealed in this Saturday night drama.

My hubby… so sweet but so pathetic.
Good looks, good education, good income! No doubt the ideal husband! Or at least that’s how it was supposed to be, until the day she discovers a secret about her husband. He turns out to be the weakest link at work and drags everyone down.

He’s torn apart. His wife still believes he’s a star in the office and he doesn’t want her to know that he’s actually excess baggage. But as the blunders, humiliation, and scornful glares from the younger colleagues pile up, he finally reaches a breaking point. Just when he decides, “I want to quit,” he finds out his wife is pregnant!

As the breadwinner of the family, there’s no way he can quit his job. He doesn’t want his pregnant wife to feel any anxiety, so he sets out to become a competent employee.

He sends out a distress call to his better half, and she agrees to throw her full support behind him. Thus begins their “two heads are better than one” office survival challenge.

What does it mean to be a capable corporate employee? What is happiness anyway? Does your career determine the worth of your family or you as a person?

Much laughter and tears are in store as a corporate loser husband hangs on to his wife’s hand while he navigates the corporate jungle. This drama offers a whole new perspective on how a man-and-wife relationship can be. You’ve never seen a career/home drama like this one!

Is too much love really love?
College student Kahoko is the quintessential overprotected child borne out of today’s Japanese society. Shielded by her parents, Kahoko grew up completely pampered and became somewhat of a miraculously naïve “test tube human.” She is 21 years old and about to start working for a company, but she has never slept away from home, had a part time job, chosen her own clothes, or even ridden a train alone. Kahoko has had her picture taken, but she has never taken a picture herself.

Now, Kahoko is about to step out of her germ-free isolation pod and into the germ-infested world. It won’t be long until she realizes, “I’m different from everybody else!”

She has been her mother’s best friend all her life and her father can’t live without her. As they become emotionally unstable from the changes that Kahoko goes through, their family begins to fall apart. That’s when Kahoko herself and the people around her begin to see the strength that hides deep within.

“Overprotected Kahoko” is not a simple drama that chronicles the growth and transformation of an overly protected child. Similar to Princess Ann in “Roman Holiday,” this drama depicts the various experiences and struggles of a young woman who finally ascends to the throne and becomes the queen of her small kingdom called “family.

Divorced, in need to pay child-support, and now a layoff candidate at his company; Orimo Keita (Ito Atsushi), 34 years old was in the pits of despair. However, it all changes when his brain suddenly became a smartphone! Now his vision can see messages people send on their phones, which also means that he can learn their secrets. This new ability gets him intertwined with problems in and out of the office! A Sci-fi human drama about a simple man becoming a “Smartphone” hero.

Abandoned by his mother in childhood, a solitary man who grew up in the underworld learns to love someone for the first time in his life. Nagase Tomoya plays the lead for the first time in TBS’s Sunday drama slot. This drama focuses on love – between man and woman, mother and child – a theme both timeless and universal.

Ritsu (Nagase Tomoya) belongs to Seoul’s underworld. One day he helps Rinka (Yoshioka Riho), after her bag is snatched on the street. Later, he is caught up in a conflict between rivaling mafia groups and suffers a fatal head injury. Informed by the doctor that he cannot live for long, Ritsu decides to go to Japan to find his mother, Reiko (Otake Shinobu), and see her for the last time. When he finally tracks her down, however, he finds she is living a wealthy and happy life doting on Satoru (Sakaguchi Kentaro), her pianist son. Satoru’s childhood friend and stylist, Rinka, supports him while hiding her love for him. Then one day, Ritsu has a chance encounter with Rinka.

Watanabe Naomi stars in a TBS drama for the first time as a positive and powerful working mother. The show is entertaining and heartwarming, and the outfits worn by Watanabe in the role of fashion designer are also a big draw.
Kanna (Watanabe Naomi) is a bubbly and big-hearted fashion designer who goes headlong into things she believes. Her dream is “to make women happy with the clothes I design,” but reality is tough – Kanna’s unique aesthetic sense and eccentric designs go unappreciated. Still, she continues to dream, as she lives happily with her handsome husband Rei (Kaname Jun) and their son Reon (Kawahara Eito). But one day, the couple’s relationship suffers a huge blow – Kanna discovers that Rei is cheating on her. Heartbroken and enraged, she decides to kick him out of the house.

One day, the slacker staff of the “Akatsuka Detective Agency,” Goro (Eita) and Gure (Morita Go), are called to the office by Director Kaoru (Yamaguchi Tomoko). A client named Kawada (Ito Atsushi) makes an impossible request – to find his daughter who died in a traffic accident. He says he wants to show his wife, who is in a coma from the same accident, a child who looks like their daughter. Goro and Gure feel sorry for the man and take on the request. With the help of an acquaintance working at a TV station, they start by putting on an audition for child actors.

“Iryu Sosa” depicts the work of a group of detectives who solve murder cases by looking for clues in the articles left by victims.

The fight for redevelopment rights intensifies in the run up to the 2020 Tokyo Olympics and the Rinkai area is on the way to becoming a new hotbed for crime. Amagi Yu (Higashiyama Noriyuki) and the team (Takashima Masahiro, Tsukamoto Takashi, Kurashina Kana, Kataoka Ainosuke, Yoshida Kotaro, Kitaoji Kinya) have to tackle extremely violent crimes which have become complex, multifaceted and global. A darkness lurking in the Rinkai area emerges as the strongest enemy of the seven detectives who step beyond the justice of their work and run out of control. In the process, their feelings, secrets and hidden sides are revealed. Each passing moment steadily sows distrust and conflict. The Rinkai area is also where Amagi Yu’s wife and daughter died in an accident 12 years ago, and a shocking truth comes to light.

Ametani Kantaro (Onoe Matsuya) is a bespectacled, handsome sales representative at Kiccho Publishing. He does his work perfectly and is trusted by the people around him. But Kantaro has been hiding a secret. That is skiving off work to indulge in sweets. On this day, he quickly wraps up his sales rounds outside and heads to a sweets shop to have his fill.

The newly established “Consultation for Anything Office” in the Community Safety Division at Suginami Central Police Station of the Metropolitan Police Department was touted as being “newly established in an attempt to respond quickly to the citizens’ voice,” but in actuality, it was a dumpsite for personnel who caused trouble or were cast aside. “Zero multiplied by any number is zero.” In other words, it meant that no matter how many worthless employees get together, they’re still worthless, and they come to be mocked by other police station members as “Section Zero.” To this Section Zero transfers in the enigmatic Kobayakawa Fuyuhiko (Koizumi Kotaro), a career superintendent from the National Police Agency’s National Research Institute of Police Science. Fuyuhiko, in spite of being a career bureaucrat, is naive and the ultimate KY (people who can’t read situations) detective. The person who gets assigned as his buddy is the strong minded veteran detective with a foul mouth, Terada Torami (Matsushita Yuki). Unexpectedly, the “ultimate KY” detective becomes a catalyst for the trouble children gathered at Section Zero and brings about a chemical reaction. The two who don’t see eye to eye on anything, along with the very unique fellow members of Section Zero, lead various difficult cases to resolution, at times brilliantly, and at times ineptly.