“Where in this world will I find the woman I’m destined to be with? Many people might laugh if I tell them I believe in such things, so I never talk about it. But…”
I’d like you to think about it for a moment.
If Beethoven’s parents didn’t meet, he, much less his famous fifth symphony “Destiny,” would have never existed.
If the parents of Edison, Einstein, or Bill Gates didn’t fall in love, what would the world today be like?
Yes, in reality, there is certainly that special someone you must absolutely fall in love with–the person of your destiny.

A strange man who claims to be “god” suddenly reveals himself to 29-year-old lead character Masaki Makoto and declares, “You haven’t realized it yet, but only a wall separates you from the one you must fall in love with, no matter what. The woman you’re destined to be with works in the office next door.”
“Sounds like something out of a creepy dream. But..,” wonders Makoto. Skeptical at first, he eventually decides to believe the prediction and just go for it.
“Please don’t be shocked. I’m your destiny,” he tells fellow 29-year-old Haruko Kogetsu.
“What?” she replies, before flat-out rejecting him. And that’s where their love story begins.

Whether it’s the beach they went to as children, their college entrance exam building, or the shrine where they offered prayers last New Year’s, it’s a miracle how the two have actually crossed paths countless times since they were little. Yet they don’t know each other’s name nor recognize each other’s face. The greatest “destiny” story kicks off on the worst possible note.

One spring day, my beloved 3-year-old son was kidnapped.
It was our usual walk home from kindergarten.
I let go of his hand for just a blink of an eye.
When I looked back, he was gone.

Nine years later, my 13-year-old son shows up.

How do we begin to fill the void of all those years?
Once broken, can a family return to what it used to be?
What does it mean to be a mother? What does it mean to have a family?

Through a family that suffered a kidnapping, three women learn what it takes to become a mother amidst the struggles and pain.

To become a mother… To single women, this may be uncharted territory. To those in the middle of child-rearing, this is reality. To empty nesters, this is a nostalgic reminder. This drama is dedicated to all women, no matter which stage in life they’re in.

While traditional police stories often portray case resolution, this drama’s main axis is the internal disputes and corruptions within the police organization. There, fights for career progression, competitions for taking credits, disputes over personnel affairs, setbacks, trusts, betrayal and jealousy…
It is a police insight drama that portrays the swirled conspiracy of the organization while they protect the lives of the citizens.

Kosaka (Hasegawa Hiroki) of the Tokyo Metropolitan Police Department’s First Investigation Division is an excellent investigator who are expected to become the chief of the Division. However, one day, he is accused of conducting an improper investigation on a drunk driving case, and suddenly transferred to a local police station that is outside the career road. Onoda (Teruyuki Kagawa), the chief of the First Investigation Division whom Kosaka trust, was the one who made the testimony to admit the improper investigation. As soon as Kosaka moved to the local police station, an incident occurred in which the president of the biggest IT company was kidnapped for ransom. Though Kosaka tries to start an investigation as before, a former subordinate Yamada (Masaki Okada) tells him, “Leave the case to the us, and you provide back support”.

Is the person you married really, the love of your life? If the sealed love wakes up, can you push the feelings and kill it? This spring Tuesday drama is about the marriage life of two couples and the vacillating love romances of those four. It is a drama conversion of the popular manga artist Aya Ikuemi’s work, and it is the long-awaited first serial drama conversion of her popular works. Four people’s romance to pursue happiness and their outcomes are unpredictable!

Mitsu (Haru), who is an administrator at an ophthalmology clinic, is asked out by Ryota (Higashide Masahiro) who comes as a patient. Mitsu believes that she can be happy with Ryota as he is steady and she feels comfortable, and even decides to get marry with him. Mitsu and Ryota receive blessings from many people. She thinks that lots of women get a happy marriage as they compromise somewhere to get married. One day, however, Mitsu meets Arishima (Nobuyuki Suzuki), an elementary and junior high school classmate who she believed that he was the person of destiny by chance on the way back from a drinking party. Her heart begins to shake greatly.

The chief for First Division 9th Sub-division has gone away on a special mission, and in his place, an old teacher of the section’s coroner comes to visit. The team’s first case this season involves a series of corpses found tied to scarecrows out in the middle of the field. A fourth corpse is found, which appears to be a suicide, but is the case really a suicide or just the surface of something more complicated?

20-years-old Hokuto tells his lawyer, Takai Soichi (Matsuo Suzuki) “Please execute me”.

Minami Yasuhiro (Fukushi Seiji) is an ex-reporter for the newspaper. Due to a case, he is appointed to work in the CEO’s office to assist with negotiations. Meanwhile, Aoi Sota of AMC offers a final unexpected condition to the acquisition.

Hamasaki Densuke (Hamada Gaku) is now in his third year at the big construction company Suzuki Construction. His enthusiasm for fishing reinforces his lovable character and he now has a bizarre mentoring relationship with his company president Suzuki Ichinosuke (Nishida Toshiyuki) whom he calls Su-san. This time, the commotion that he creates with his boss Sasaki Kazuo (Fukikoshi Mitsuru), the eternal mid-level manager, and other employees escalates, and a strong, handsome rival emerges and edges into Hama-chan’s relationship with his girlfriend Kobayashi Michiko (Hirose Alice).