With the future lying in the hands of our children, we teachers must revolutionize the way we think.
Kyomeikan Private High School has been deemed an “unprofitable business” by the company that runs it. Students score on the lower end of the national average range and are not particularly known to be strong in sports. With barely enough students to meet the minimum requirement to continue operating, Kyomeikan is a safety school for kids who didn’t get in to their first and second choices.

One man is tasked with revitalizing the school’s operations. Thirty-five-year-old Narumi Ryosuke (Sakurai Sho) is an elite corporate employee at Kashimatsu Bussan Co., Ltd., a large general trading company. He is suddenly assigned to the role of high school principal despite not having any experience as an educator. The realities of the academic world are so different from the rules in business that his days are filled with confusion.

Listen up, housewives! The cutest yet most dangerous heroine the world has ever seen comes to your rescue!
Those who dream of becoming a fabulous yet low-key housewife would envy thirty-year-old Isayama Nami (Ayase Haruka). After a tainted past, she decides to reinvent herself and live a quiet life. She marries Yuki (Nishijima Hidetoshi), a man she met at a dating party and moves to an upscale neighborhood. Things are smooth-sailing and she has everything she needs. Or so it seems.

Only six months into her marriage and Nami is already full of struggles. She’s a terrible cook–the mere act of slicing a cabbage ends up in failure and the dressing she makes from scratch turns out horribly. These days, her husband prefers to eat out. But what gets to her the most is how simple and boring her days are. She supposedly dreamed of a “normal family life,” but it doesn’t take long to realize that it’s not enough for her.

One day, she suddenly realizes that all the seemingly-happy housewives around her are actually carrying their own burdens.

Nami makes a vow: “I’ll rescue them!”

Nami is a disaster when it comes to cooking, cleaning, and housework in general, but she is a champion of justice who becomes incredibly dangerous when angry. She despises bad behavior and can’t turn a blind eye to evil people! Why does she suddenly have a need for thrill? The reason lies in her past, which she keeps hidden even to her husband.

Born and raised an orphan, Nami has had to toughen up to make it through a life devoid of love. Her first taste of kindness and warmth comes from her husband and her housewife friends. After growing up so unique that she doesn’t know what “normal” is, just how will she solve the many problems of the other ladies?! Packed with laughter and action, this drama sends love and encouragement to all the women out there who live life to the fullest!

Five years later, Saori gets information on three people who are responsible for fabricating the scandal about her husband. To take revenge, she takes a job at a weekly magazine as a contract writer. She digs up secrets on the people responsible for husband’s death and corners them.

Based on the popular novel by Ikeido Jun and starring Yakusho Koji, Rikuou tells the dramatic story of a long-established tabi (Japanese rubber-soled socks) manufacturer taking a big gamble and making running shoes, in a desperate bid to survive.

Miyazawa Koichi (Yakusho Koji) is the fourth-generation president of tabi manufacturing company “Kohazeya,” located in Gyoda in Saitama Prefecture. He is increasingly distressed by worsening cash-flow problems, caused by decreasing demand for tabi. His son Daichi (Yamazaki Kento) is applying for jobs while helping out with the family business, but the search hasn’t been going well. One day, with the advice from their bank’s loan officer, Sakamoto (Kazama Shunsuke), Miyazawa comes up with the idea of using tabi-making technology to develop super-light, almost-like-being-barefoot running shoes. His tiny, regional company with only about 20 employees has limited funds, human resources, and development capabilities, much less a shot at beating the world-famous sports brand “Atlantis.” But Miyazawa is determined, and goes to see the Toyohashi International Marathon tournament with Daichi to learn more about running.

Koizumi Kyoko stars in a TBS drama for the first time in 16 years, since “How Long Since You’ve Loved?”. A group of middle-aged women attempted to abduct a handsome CEO. The show tackles deep themes such as the meaning of life and the source of happiness, at times with a comedic touch and at others with a more serious tone.

The story begins with five women – Kayo (Koizumi Kyoko), Futaba (Mitsushima Hikari), Yoko (Sakai Maki), Akemi (Morishita Aiko) and Chinatsu (Kanno Miho) – plotting to abduct Itabashi (Iseya Yusuke), the handsome CEO of a major company. Although their motive is unknown at first, it is eventually revealed that Itabashi had killed his mistress. The women wanted to kidnap Itabashi, expose him, and clear the false charges against Shinobu (Kaho), the imprisoned daughter of the former CEO. The women first met 6 years ago, at a women’s prison. Kayo, Yoko, Akemi, Shinobu, and Chinatsu were all serving time for various crimes, and Futaba was the strict prison officer and instructor who watched over them.

The “adult school” is a public institution which the government set up based on the Second Compulsory Education Bill in order to halt the declining birthrate problem. It is a school where men and women over 30 who have not had any sexual experience are made to enrol. Elite bank employee Arakawa Hideto (Miura Haruma) is suddenly required to enrol in the school by the country. Despite being agitated about the government’s knowledge of his sexual experience, he reluctantly goes to school. As a condition for graduation, he has to learn romance and lose his virginity in this school where students can start over a youth which they had not experienced during their teens and grow as adults.

An intimidation complaint was filed against Sugishita Ukyo (Mizutani Yutaka) and Kaburagi Wataru (Sorimachi Takashi), following a serial murder case where a tycoon is accused of being the culprit. Along with Itami Kenichi (Kawahara Kazuhisa) and Serizawa Keiji (Yamanaka Takashi), they are accused of forcing a confession out of this tycoon but the police refuse to admit that there was any wrongdoing.

As criminals become more sophisticated and crimes more complex, the police must turn to speedier and more scientific means of weeding through clues and narrowing down suspects. That’s where the forensics labs come into play. Sasaki Mariko is a highly talented forensics scientist who must dodge stereotypes, as well as disparaging comments from veteran detectives.

It has been a year since the downfall of Hiruma Shigekatsu (Nishida Toshiyuki) who had engaged in dirty hospital politics. Teito Medical University Hospital enters a new era with its first female hospital director Shimura Madoka (Daichi Mao). While Hiruma acts suspiciously, talented freelance surgeon Daimon Michiko (Yonekura Ryoko) fights the organisation head-on.

Sugiyama (Sawamura Ikki) used to be the most popular copywriter at the largest advertising agency. He quits his job and opens up his own advertising agency, but his company doesn’t do very well. He decides to move his company to a dead shopping district of a port town in decline. Even though the port town is lifeless and in serious decline, people go to see Sugiyama with small requests. Sugiyama begins his struggle as a small advertising agency.

Niidekyo Jo (Funakoshi Eiichiro) is in charge of Koishikawa Yojosho. He treats patients there and cares about their personal problems. He is also referred to as “Red Beard.” Yasumoto Noboru (Nakamura Aoi) is a young doctor who who often clashes with Jo. While Noboru deals with various patients, he learns the way to become a true doctor.